Frumusețea unei fotografii pictate manual.

Since its invention, photography has had the significant limitation of not being able to render colors. Prior to the widespread use of color photography, photographers globally resorted to a straightforward method—painting over photographs.

When photographers lacked the skill to paint themselves, they often hired artists to provide this additional service to their clients. In reputable studios, a manually colored photograph could transform into a small work of art.

For instance, the Brașov Ethnographic Museum houses a studio photograph from the late 19th century depicting a young woman spinning, which has been manually colored. Similarly, the Brașov Urban Civilization Museum showcases the works of prominent Brașov photographers from the late 19th century, such as Leopold Adler and Carl Muschalek, in its photography workshop.

This practice not only enriched the photographs but also highlighted the skill and collaboration between photographers and artists during that era.